Monday, November 11, 2013

History of light via blouin artinfo

HISTORY OF LIGHT: The Pioneers, From Robert Irwin to Anthony McCall

HISTORY OF LIGHT: Heirs, From Olafur Eliasson to Ann Veronica Janssens

HISTORY OF LIGHT: Rising Stars, From Ivan Navarro to Katie Paterson

HISTORY OF LIGHT ART: The Market (Part 1)

HISTORY OF LIGHT ART: The Market (Part 2)

http://www.blouinartinfo.com/news/story/912040/week-in-review-from-turrell-to-turkey-our-top-visual-art


"An orchestrator of experience"_James Turrell

"I am interested in this new landscape without horizon. If you go into the Ganzfeld pieces it is a little bit like the landscape that you can find when flying around through cloud or fog. You can also find it in 'whiteout conditions' when you go skiing and get into snowfall, it can happen that you are not really sure anymore which way is up or down. This occurs in diving, too. We are moving into the territory of horizonless space that you can also experience in outer space without gravity." 
- James Turrell
from https://www.facebook.com/JamesTurrellArt

Chuck Close once described his fellow artist James Turrell as "an orchestrator of experience, not a creator of cheap effects. And every artist knows how cheap an effect is, and how revolutionary an experience.”



 

 


 

 




Sunday, November 10, 2013

The Ganzfeld effect.






http://en.wikipedia.org/wiki/Ganzfeld_effect

 The Ganzfeld effect occurs naturally in situations like snow storms (white out), thick fog, and conditions of total darkness, where our field of vision is uninterrupted by any information (visible contours, changes in texture, light reflections, edges) that would otherwise help us to construct a coherent three dimensional interpretation.




George Poonkhin Khut on James Turrell.

The spatial ambiguities created by Turrell's perceptually focused experiences produce an intense sense of other-worldliness. Our perceived presence within such situations gives rise to an equally transformed, otherworldly experience of self and it’s sense of being in the world, invoking the mysterious edges of our own personal journey between birth and death at the thresholds of perceptual becoming and unbecoming. While light and luminosity have long been associated with mystical or transcendent experiences, the intensely suggestive power of Turrell's perceptual works resides more in the way it alters our perception of space and our sense of self-location within it.

Khut, G. (2006). Development and Evaluation of Participant-Centred Biofeedback Artworks. PhD,
University of Western Sydney, School of Communication Arts, Sydney.